A
| Abrupt
Serif |
A serif which breaks
suddenly from the stem at an angle. |
| Accent |
A diacritical mark near
or through a letter indicating a variation in pronunciation. Eg.
ç, à, ò, é, Å. |
| Addressing
Resolution |
The degree of fineness
of position that the computer can specify for an output device. |
| Adnate
Serif |
A serif which flows
smoothly to or from the stem. |
| Aliasing |
The misrepresentation
of high frequencies from the original signal as low frequencies
in the sampled result, due to undersampling. Aliasing distorts the
letterforms and letter spacing. |
| Alphabet
|
A set of abstract symbols
employed in a particular writing system. |
| Analog
Letterform |
A glyph, drawn or printed,
sometimes used as a model for creating a similar digitized shape.
Analog letterform designs maybe expressed as smooth curves that
are then digitized. |
| Analphabetic
|
A typographical character
used with the alphabet but lacking a place in the alphabetical order.
Examples: the acute accent, the umlaut, the circumflax, and the
asterisk. |
| Anisotropic
Scaling |
Enlarging or shrinking
letters nonlinearly, so that, for example, they become disproportionately
less bold and narrower for ther height as they are enlarged. Such
transformations can create some of the traditional variations in
shape of typefaces at different sizes. |
| Anisotropy |
A property of some output
devices that gives different results on the x- and y-axes. In CRT,
for example, black features crossed by the scan are narrowed preferentially
compared with those running parrallel to the scan. |
| Anti-aliasing
|
Removing alias frequencies
from the sampled signal. In letterfoms, jaggedness can be minimized
during reconstruction by using various grey levels at the edges
of stokes. |
| Antiqua |
Another way to describe
letters with serifs. |
| Arc |
Segment of a circle
or ellipse, sometimes used to describe part of the boundary of a
letterform. |
| Ascender |
That part of a lowercase
letter that rises above the x-height, as in letters 'b', 'd', 'f',
'h', 'k', 't' and 'l'. |
| ASCII |
The American Standard
Code for Information Interchange, a standard character set defined
by ANSI, the American National Standards Institure. |
| Aspect
Ratio |
The ratio of width to
height. |
| Assimilation |
The symmetry propert
possessed in varying degrees by a typeface that creates mirror relationships
and other similarities of form between letters. |
| Asymmetry |
Aspects of letterforms
that depart from mirror images relationships between letter pairs,
especially 'b-d' and 'p-q', and within individual letters, such
as 'T' in some typefaces. |
| Axis |
The real or imaginary
straight line on which a letterform rotates. |
B
| Back
Up |
To match the vertical
position of lines on the opposite sides of a sheet printed on both
sides. |
| Back
Ground |
The field on which a
letter or graphic appears; the blank paper or screen on which the
image is formed. |
| Ball
Terminal |
A circular form at the
end of the arm in letters such as a, c, f, j, r, and y. Examples
of faces which use ball terminals are Bodoni and Clarendon. |
| Baseline |
The line on which letterforms
rest. (Round letters like "e" and "o" normally
dent it, pointed letters like "v" and "w" normally
pierce it, and letters with foot serifs like "h" and "l"
usually rest precisely upon it.) |
| Beak
Terminal |
A sharp spur, found
particularly on the f, and also often on a, c, j, r, and y in many
20th century Romans. (Examples: Perpetua, Pontifex, Ignatius.) |
| Bézier
Splines |
A class of third-degree
interpolating splines useful for representing letterform shapes. |
| Bicameral |
A bicameral alphabet
has two alphabets joined. The Latin alphabet, which you are reading,
is an example; it has an uppercase and lowercase. Unicameral alphabets
(the Arabic and Hebrew alphabets) only have one case. |
| Bitmap |
An array of intensity
values, normally rectangular, used to create an image, as on a screen
or on paper. The bits are mapped onto the screen or paper. |
| Bitmapped
Display |
An output device that
portrays a bitmap image. A raster display is a bitmap display in
which the bitmap data are scanned line by line. |
| Blackletter |
A general name for a
wide variety of letterforms that stem from the north of Europe.
Blackletters are generally tall, narrow, and pointed. In architecture,
comparable to the gothic style. |
| Blackness |
The apparent darkness
of type as it appears on the page. Blackness depends on the boardness
of the parts of the letter (boldness), as well as on the x-height
and set. |
| Bleed |
An image that extends
to the edge of the paper (after trimming). |
| Bodoni |
A modern typeface with
unbracketed serifs, veritcal stress and very high contrast. |
| Body
Size |
The height of the face
of the type. Originally, this meant the height of the face of the
metal block on which each individual letter was cast. In digital
type, it is the height of its imaginary equivalent, the rectangle
defining the space owned by a given letter (different from the dimension
of the letter itself). |
| Bold |
A blacker, heavier variation
of a typeface, relative to the roman variation. |
| Bowl |
The generally round
or elliptical forms which are the basic body shape of letters such
as (uppercase) C, G, O, and (lowercase) b, c, e, o, and p. Similar
to the space known as an "eye". |
| Break |
Deciding how much text
shall appear on each line or page of a document. |
| Brightness |
The perceived intensity
level of light in a visual scene. |
| Brilliance |
Property of a typeface
related to its typographic contrast. Also referred to as sparkle. |
| Bullet |
A mark used to set off
items in a list, frequently a filled circle. |
C
| Calligraphic
Display |
An image-display device
that produces images by directly creating lines, arcs, and so on,
as opposed to a bitmap display. Also called a stroke display. |
| Cap Height |
The distance from baseline
to cap line of an alphabet, which is the approximate height of the
uppercase letters. It is often less, but sometimes greater, than
the height of the ascending lowercase letters. |
| Cedilla
Ç |
The accent, used primarily
in French, to soften the letter C. |
| Cell
Text |
A monospaced typeface,
usually associated with older display devices. |
| Centered |
Text set so as to distribute
residual space on the line equally to the right and left. |
| Character |
An abstract symbol,
represend within a computer by a numerical code. Also, a symbol
in a font or glyph. |
| Character
Set |
An ordered set of abstract
symbols, used ti represent and exchange information, in which a
paricular symbol is represented by its index. |
| Chase |
Rectangular frame used
to lock lines of metal type into position in letterpress use. |
| Chromatic
Aberration |
An aberration in an
optical system that causes light of different colours to be focused
in different planes. |
| Cicero |
A unit of measurement
used to measure typefaces. It is equal to 12 Didot points, the slightly
larger continental European counterpart to the American and British
point. |
| Classical
Type Style |
Letterforms having vertical
axis, adnate serifs, teardrop terminals and moderate aperture. Originated
in the 18th century. |
| Colophon |
A description of how
a book was produced, normally at the end. Also, a printers' mark
or emblem. |
| Colour:
Typography |
The overall blackness
of a page of text, that is, its average density. By extersion, the
blackness of a typeface when set in a block. |
| Compound
Document |
A document that contains,
in addition to text, graphics, images, or other non-textual components |
| Condensed |
A type design variation
with less than normal set; thus a tightly spaced font. |
| Conic
Spline |
A spline curve of order
two. |
| Contrast |
The ratio of thickness
of vertical to horizontal strokes in letterforms. |
| Counter |
The white space enclosed
by a letterform, whether wholly enclosed (as in "d" or
"o") or partially (as in "c" or "m"). |
| Cubic
Splines |
A spline curve of order
three. |
| Cursive |
Typefaces that resemble
handwriting, frequently having joins or the suggestion of joins
between letters. |
D
| DDL |
A page-description language
developed by Imagen Corporation. |
| Decode |
In reading, to identify
letters and words. |
| DECpage |
A document-formatting
system developed by Digital Equipment Corporation. |
| Demand
publishing |
Creation of printed
documents in small runs or even in single copies, as needed. |
| Demerits |
A point system used
to rate the quality of a particular arrangement of type, for example,
when line breaking in TEX. Lines receive demerits for faults such
as being -too loose or tight; paragraphs, for defects such as consecutive
hyphenations. |
| Dentation |
The vertical extent
on the page of a block of print. |
| Depth |
An ordered set of abstract
symbols, used ti represent and exchange information, in which a
paricular symbol is represented by its index. |
| Descender |
That portion of a letter
that falls below the baseline, as in 'j', 'g', 'q', 'p' and 'y'. |
| Desktop
Publishing |
Direct printing of typeset
material using small, relatively inexpensive computers and printers
under the direct control of the creator of the material. |
| Diacritical
mark |
An accent or other three.
ancillary mark added to a letter to distinguish it or change its
pronunciation. |
| Diaresis |
The accent used to separate
the pronunciation of two consecutive vowels, as in coördinating.
Similar to the umlaut |
| Didot
point |
Unit of type measurement
in Europe (except Britain); 1 Didot point = 0. 3 759 mm. |
| Digital
halftoning |
The simulation of continuous-tone
pictures by the algorithmic arrangement of bivalued picture elements.
Also called spatial dithering. |
| Digital
typography |
The technology of using
computers for the presentation of text, in which the letters themselves
are created and positioned under digital control. |
| Digitisation
error |
The loss of information
in the sampling of a signal. The broader class of errors of which
aliasing is an example. |
| Digitise |
To sample an analogue
signal and represent the results in a numeric form. |
| Dingbat |
A special symbol not
a part of any particular typeface, including arrows, mathematical
signs such as square root, and bullets. |
| Direct
manipulation |
Style of user interface
in which the user modifies or moves parts of the document using
a pointing device such as a mouse. |
| Display.
(typography) |
Large sizes of type,
for use as headlines, titles, and so forth. |
| Display
Type |
General term for type
set larger than surrounding text as in headings or advertisements.
Usually 14-point or larger. |
| Displayed
formulas |
Sequences of lines of
mathematical notation included within running text. |
| Dithering |
Spatial dithering, the
method of creating digital halftones. |
| Document
model |
An external myth that
presents textual and graphical information as (simulated) paper
documents. |
| Document |
Any "printed"
image stored in a computer or realised on a piece of paper. |
| Dots
per inch (dpi) |
Measure of the resolution
of input and output devices. |
| Double
Storey |
Seen in the lower case
"g" with the closed tail and lower case upright finial
"a". |
| Download
|
The process of transferring
information from one device to another. This transferral is called
downloading when the transfer flows from a device of (relatively)
more power to one of (relatively) less power. Sending new fonts
to your printer so that it learns how to print characters in that
font is called downloading. |
| Draft
printing |
Printing a test copy
of a document before printing it in final form. |
| Drop
Cap |
A large initial capital
in a paragraph that extends through several lines. |
| Drop
Folio |
A folio (page number)
dropped to the foot of the page when the folios on other pages are
carried at the top. Drop folios are often used on chapter openings. |
| Dyslexia |
A perceptual aberration,
one form of which causes confusion of mirror-image letter pairs,
especially 'p-q' and 'b-d'. |
E
| Edge
enhancement (image processing) |
An image-processing
technique that identifies the boundaries of objects and increases
their contrast. |
| Edge
enhancement (perception) |
The sharpening of edges
in an image by the visual system. |
| Egyptian
Type |
Letterforms having square
serifs and almost uniform thickness of strokes. |
| Electrographic
printer |
A printer that uses
a direct electrostaticprinting process in which charge is placed
directly on the paper and then developed to form an image by the
application of toner. |
| Electronic
publishing |
Digital typography. |
| Elite |
A typewriter (monospaced)
typeface with a pitch of 12 char, acters per inch. |
| Em Space |
A distance equal to
the type size - 12 points in a 12 point typeface, 11 points in an
11 point typeface and so on. Also known as a "mutton".
|
| Emdash |
A dash the width of
the letter "m" used in text to separate a parenthetical
note as an alternate to parenthesis. |
| En space |
Half an em. Also known
as a "nut". |
| Endnote |
A piece of text associated
with the body of a document, like a foot-note but placed at the
end of a section or chapter. |
| Erosion |
The thinning of the
vertical strokes in letter forms that results from characteristics
of the output device. |
| Expanded |
A type design variation
with more than normal set. Thus, a loosely spaced or wider than
normal font. |
| Extended |
See Expanded. |
| Extender |
Descenders and ascender;
i.e., the parts of the letterform that extend below the baseline
(p, q) or above it (b, d). |
| Extensional
specification |
In a document formatter,
the detailed specification of formatting information such as spacing,
margins, and font, as opposed to intentional specification, in which
the purpose of a passage is described, for example, verse. |
F
| Facsimile |
Electronic representation
of images, often entire documents, for transmission over a distance,
frequently by a telephone or computer network using digital encoding. |
| Family |
A related set of typefaces. |
| Fields |
The portions of a displayed
frame that are scanned alternately in an interlaced refreshing scheme.
In broadcast television, the lines in the two fields alternate,
and each field contains half of the scan lines. |
| Figure
(perception) |
The object seen, as
separated in the act of seeing from everything else in the image. |
| Figure
(typography) |
A picture or diagram
that may be included within the body of a typeset document. |
| Figures
(lining) |
Modern numbers, all
of which rest on the baseline. |
| Figures
(nonlining) |
Old-styled numbers,
some of which (3,4,5,7,9) descend below the baseline. |
| Fill |
The graphical operation
of reproducing a pattern or colour through, out a bounded area. |
| Fixation |
The stopping of the
eye to sample the visual scene. Even during fixations, there are
continual small motions of the eye. |
| Fixed
pitch |
Monospaced type. |
| Fleuron |
A printer's flower or
ornament. |
| Flicker
fusion frequency |
The temporal rate of
intensity variation of alight or image at which a particular person
sees the light as steady. Flicker-fusion frequency varies from person
to person, with the degree of modulation of the intensity variation,
and with the angle from the centre of the visual field. |
| Floating
object |
An illustration, table,
or diagram that the document formatter is free to place in various
places relative to the running text. |
| Flower |
A printer's decorative
symbol. Also called a fleuron. |
| Flush
left |
Setting lines of text
so that any extra space is on the right, and the text is against
the left margin. Also called ragged right. |
| Flush
right |
Setting lines of text
so that any extra space is on the left, and the text is against
the right margin. |
| Folio |
A page number, for example
as part of a running head or foot. |
| Font |
A set of characters.
In the world of metal type, this means a given alphabet, with all
its accessory characters, in a given size. In the world of digital
type, it is the character set itself or the digital information
encoding it. |
| Footnote |
A floating note associated
with a location and reference mark in a text and displayed at the
bottom of the page on which the mark occurs. |
| Foreground |
The image or figure,
as opposed to the background. |
| Foundry |
Originally, a factory
in which metal type is made; now any maker of type. |
| Fourier
transform |
The mathematical transformation
that allows a function in time or space to be examined in terms
of its frequency components. |
| Fovea |
In the eye, the small,
central region of the retina that exhibits the greatest sensitivity
to detail and colour. |
G
| Galley |
In traditional typesetting,
a proof of the running text, tables, or figures, before these parts
are combined to form pages. |
| Gestalt |
The perceptual process
of separating figure and ground to create an overall visual understanding
of an image. |
| Glyph |
(1) The actual shape
(bit pattern, outline) of a character image. For example, an italic
'a' and a roman 'a' are two different glyphs representing the same
underlying character. In this strict sense, any two images which
differ in shape constitute different glyphs. In this usage, ``glyph''
is a synonym for ``character image'', or simply ``image''. (2) A
kind of idealized surface form derived from some combination of
underlying characters in some specific context, rather than an actual
character image. In this broad usage, two images would constitute
the same glyph whenever they have essentially the same topology
(as in oblique 'a' and roman 'a'), but different glyphs when one
is written with a hooked top and the other without (the way one
prints an 'a' by hand). In this usage, ``glyph'' is a synonym for
``glyph type,'' where glyph is defined as in sense 1. |
| Greyscale
fonts |
Fonts that use variations
in intensity at the edges of the letters to suppress the effects
of aliasing and thus improve the apparent sharpness and fineness
of letterforms. |
| Greeking |
The use of gray bars
or "dummy" characters to represent text that is too small
to be legible when displayed on the screen. Also, in graphic design,
the use of dummy text in a layout so that the design of the document
will be emphasized rather than its content. |
| Grid:
engineering |
A control structure
in a CRT, used to modulate the intensity of the electron beam, and
thus the brightness of spots on the phosphor screen. |
| Grid
(typography) |
A graphical layout for
the design of pages of a book or other document. Variations on pages
must match divisions in the grid. |
| Grotesk |
Another way to describe
letters without serifs. |
| Ground
(perception) |
That part of an image
that is seen as the background, rather than the perceived object,
called the figure. |
| Gutenberg:
unit of measure |
A unit of linear measure
equal to 1/7200 inch, or about 1/100 of a point. |
H
| Hand
j |
Also H/J. Typesetting
abbreviation for hyphenation and justification. |
| Hairline |
The thinnest part of
a letter other than the serif. Joins are frequently hairlines. Also,
a fine line or rule, the thinnest that can be reproduced in printing. |
| Half-bitting |
The manipulation of
the edges of graphic images so as to minimise the effects of aliasing
and reconstruction errors. Also called dentation. |
| Half
tone |
A method of simulating
continuous-tone images with a device that has a small number of
output tones, colours, or intensities. The patterns used are called
dithers |
| Heading |
Text that introduces
sections of text, set off from the text by differences in size,
typeface, or position. |
| Helvetica |
A popular sans serif
typeface. |
| Hershey
fonts |
A public-domain set
of typefaces specified as strokes, originally for pen-and-ink plotters,
still used in rasterized bitmap form. |
| Hinting |
The process of defining
outlines for digital type when resolution is low or sizes are small. |
| Hints |
When a character is
described in outline format the outline has unlimited resolution.
If you make it ten times as big, it is just as accurate as if it
were ten times as small. However, to be of use, we must transfer
the character outline to a sheet of paper through a device called
a raster image processor (RIP). The RIP builds the image of the
character out of lots of little squares called picture elements
(pixels). The problem is, a pixel has physical size and can be printed
only as either black or white. Look at a sheet of graph paper. Rows
and columns of little squares (think: pixels). Draw a large `O'
in the middle of the graph paper. Darken in all the squares touched
by the O. Do the darkened squares form a letter that looks like
the O you drew? This is the problem with low resolution (300 dpi).
Which pixels do you turn on and which do you leave off to most accurately
reproduce the character? All methods of hinting strive to fit (map)
the outline of a character onto the pixel grid and produce the most
pleasing/recognizable character no matter how coarse the grid is. |
| Humanist
Type Style |
Letterforms which originate
from the humanists of the Italian Renaissance. |
| Hyperacuity |
A perceptual phenomenon
in which spatial frequencies much higher than usual are detected. |
| Hypertext |
A system proposed by
Ted Nelson and others in which a rich structure of interconnections
is created and used within on-line electronic documents. e.g. the
World Wide Web |
| Hyphenation |
The splitting of a word
across lines, as an aid to uniform line breaking. |
I
| Illusions |
Perceptions created
in the visual system and brain that differ from the "objective"
environment as measured by physical instruments. |
| Image |
Bitmap pictures, often
representing real scenes as viewed by a camera, as opposed to text
or line graphics. |
| Image
contrast |
The ratio of the maximum
luminance (intensity) in an image to the minimum luminance. |
| Imposition |
In printing, the arranging
of pages on a larger sheet in the correct order and orientation
so that when the sheet is folded the pages will appear in order. |
| Indentation |
Insetting a line of
text in from the margin, as at the beginning of a paragraph or within
an outline, or to set off a quotation. |
| Inking |
The electronic filling
of regions on a display. |
| Inline
font specification |
A pen path that, in
conjunction with a pen shape for marking along the path, specifies
a letterform. |
| Intensity |
The luminance of light. |
| Intensity
contrast |
See image contrast |
| Intentional
specification |
In a document formatter,
the functional specification of formatting information without providing
details of spacing, margins, font, or the like, as opposed to extensional
specification, in which detailed formatting changes are described. |
| Interchange
protocol |
A communications convention
or standard that describes how information is represented and transmitted
from point to point or between (dissimilar) systems. |
| Interlaced
display |
A technique used with
CRT displays to reduce the data rate at which the display must be
refreshed. Two fields, containing alternate lines, are refreshed
alternately. |
| Interleaf |
A compound-document
editor for workstations, created by Interleaf Corporation. |
| Interletter
space |
The horizontal space
between individual letterforms within a single word. Interletter
space may be adjusted as a function of the letters (see kerning),
but its proper value is an integral part of the typeface design.
|
| International
Typographic Style |
Typographers and designers
based their designs on mathematical grids. ITS felt that the san
serif type faces were the thing of the future. |
| Interpolating
curves |
Parametric curves that
are constrained to pass through the control points that specify
them. |
| Interword
space |
The horizontal space
between words on a line. Interword space can be adjusted to achieve
justification. |
| Inverse
video |
Also, reverse video.
Literally, the reversal of black for white and white for black in
a bitmap screen image. Incongruously used by computer people to
indicate light letters on a dark background, which is the inverse
of the historically more common dark letters on a light background.
Also, reversal of foreground and background colours. |
| ISO |
International Organization
for Standardization, headquartered in Geneva. an agency for international
cooperation on industrial and scientific standards. |
| Italic |
A type design that is
both slanted and script like cursive. It was originally designed
to replicate handwriting. |
| ITC |
International Typeface
Corporation, a major vendor of typefaces. |
J
| Jaggies |
The stepped effect of
bit-mapped type and graphics caused when square pixels represent
diagonal or curved lines. |
| Joint |
The point in common
between two adjoining segments of a spline curve. |
| Justification |
Generically, placing
lines of text in a particular relationship to one or both margins.
As distinct from flush left or flush right, justified text has both
the left and right margins even. |
K
| Kern
(n.) |
Part of a letter that
extends into the space of another. |
| Kern
(v.) |
To alter the fit of
certain letter combinations so that the limb of one projects over
or under the body or limb of another. |
| Knot |
The point where connected
curves join. |
| Knuth,
Donald. |
Contemporary computer
scientist responsible for the TEX formatter and the METAFONT font-production
language. |
L
| Landscape
orientation |
A layout wider than
it is high, whether on screen or paper. |
| Laser
printer |
A device similar to
an office copier in which the image is created on a photosensitive
surface, usually a drum, via a computer-controlled beam of light
from a laser. |
| Lateral
inhibition |
The basic means by which
edges are detected in the retina. Adjacent excitatory and inhibitory
regions signal differences in illumination between them. |
| LCD |
Liquid Crystal Display. |
| Leading |
Originally a horizontal
strip of soft metal used for vertical spacing between lines of type.
Now meaning the vertical distance from the baseline of one line
to the baseline of the next. |
| Left
justify |
Setting text against
the left margin, that is, with unused space all placed at the right.
Also called ragged right. |
| Legibility |
The ease with which
text is read in ordinary, continuous reading, usually gauged by
reading speed and error rate. Also, Readability. |
| Letterform |
A single glyph or letter,
such as might be found on a page or screen. Also, the design of
such a letter. |
| Letterpress |
Traditional method of
relief printing in which individual pieces of type, called sorts,
are assembled from cases into lines and blocks of text and printed
by inking and direct contact with paper. |
| Letterspacing |
Adjustment of the interletter
space within words so as to achieve equal optical space, or sometimes
line justification. |
| Ligature |
Two or more letters
tied into a single character to perfectly design their spatial interaction. |
| Linearity:
engineering |
The degree to which
an output device preserves the fixed proportional relationship between
addressing and physical dimensions in the output. |
| Lines
per inch (LPI) |
The spatial resolution
of a device, photographic emulsion, and so forth, expressed as the
greatest number of parallel lines per inch that can be resolved.
Related only indirectly to dots per inch, which specifies addressing
resolution, but not the greatest number of lines that can be sensed
or created, which will be at least two times smaller. |
| Linotype,
or LT |
A typesetting machine,
invented in 1886 by Ottmar Mergenthaler, that casts slugs containing
whole lines of type for relief printing. |
| Liquid
crystal display (LCD) |
A screen-display technology
that uses optically active organic materials to selectively reflect
light under electronic control. |
| Logotype |
A typographic trademark
or symbol, frequently using distorted letterforms. See advice on
Logotype design. |
| Loose
line |
A line of print that
contains too much blank space (normally between words) compared
with adjacent lines and general norms. The nominal interword space
used in conventional printing is between a quarter and a third of
the point size. |
| Low-pass
filter |
A filter that allows
low frequencies through, but eliminates high frequency components. |
| Lowercase
|
Small letters used in
printing that evolved from the Caroline minuscules of approximately
800 A. D. So called because. they are found in the lower part of
the printer's type case. |
| Lucida |
A typeface designed
by Bigelow & Holmes specifically for digital output. Its low-resolution
screen version is known as Pellucida. |
M
| Macros |
Open subroutines, often
used to create new commands. |
| Majuscule |
A capital (or other
large) letter. |
| Margin |
The blank space to the
left, right, above, and below the text on a page. Margins may contain
up to 50% of the area of a well-designed book page. |
| Marginalia |
Notes, titles, summaries,
or other information in the margins of a document. |
| Matrix |
The copper block onto
which the steel die for a letter was stamped. The matrix served
as the mold for the face of a type or for a printing plate. |
| Markup
language |
A formatting language,
that includes textual instructions to the formatter, intermingled
with the text to be formatted. For example, HTML & LaTeX. |
| Mechanical |
A camera-ready original,
ready for reproduction by off, set printing. |
| METAFONT |
Font production language
developed by Donald Knuth. |
| Metal
type |
Typesetting technology
prior to phototypesetting, a kind of relief printing. See letterpress,
linotype and monotype. |
| Minuscule |
Archaic term for a lowercase
letter, see also majuscule. |
| Modeless
editor |
An editor without states
(such as text versus command mode) in the user interface. |
| Modern
Type Style |
Letterforms with flat
serifs, abrupt and exaggerated strokes, and vertical shading. Originated
by Francois Didot in the late 18th century, this style represented
a casting away of the decorative baggage of the rococo era. |
| Monochrome
display |
Display that presents
images in black and white (or some other pair of foreground and
background colours). Some monochrome displays are capable of greyscale,
that is, gradations of intensity. |
| Monospaced
printing |
Printing in which each
letter or symbol occupies the same horizontal space. |
| Monotype |
Typesetting machine
invented in 1893 by Tolbert Lanston that casts individual letters
and assembles them into a block of type, following instructions
punched on a paper tape. |
| Mood
of type |
The subjective feeling
imparted by a typeface, layout, or page of type. |
| Movable
type |
What Gutenberg invented-individual
letters cast on independent metal bodies, for assembly into blocks
for printing. |
N
| Noise:
engineering |
That part of a signal,
image, and so forth that is independent of the information content
of the message. |
| Nroff |
The UNIX batch-oriented
document formatter, closely associated with troff, which is used
for phototypesetting. It has some programming features such as environments. |
| Nyquist
frequency |
The sampling rate at
which sufficient information is captured so as to be able to reproduce
a signal of a given bandwidth. The Nyquist frequency is exactly
twice the highest frequency to be resolved. |
O
| Object |
In programming-language
methodology, an object is a unit of a program that contains both
code and data. It exhibits a behaviour as a unit, and can be thought
of as the simulation of a physical object or system. |
| Oblique |
A slanted type design,
following the letter shapes of the roman variation, as opposed to
italic, which is also cursive. |
| ODA |
Office Document Architecture,
an interchange format for expressing revisable, structured documents,
not intended to be human readable. |
| Office
typography |
The design and printing
of documents for everyday business, scientific, professional, and
engineering use. Before desktop publishing, a generally haphazard
affair. |
| Offset
printing |
Printing method in which
an image is developed on one surface and transferred (offset) onto
another, and eventually onto the paper. |
| Oldstyle
typeface |
A group of typefaces
typified by oblique, bracketed serifs. |
| Optical
spacing |
Positioning of letters
so that they are perceived as having equal spaces between them.
Exact geometric spacing does not have this property. |
| Orphan |
A header or the first
line of a paragraph that appear as the last line on a page. |
| Outline
font description |
Specification of the
shapes of letters by defining their boundaries (to be filled with
the ink colour). |
| Overleaf |
The other side of a
sheet printed on both sides, specifically the page in a book after
a right hand page. |
P
| Page
Description Language (PDL) |
An executable description
that expresses the appearance of a typeset page or series of pages.
DDL, Interpress, and PostScript are examples. |
| Page
independence |
The property of a page
description language that allows the pages within a document to
be processed and printed in any order. |
| Pagination |
Laying out the parts
of a document into pages. |
| Parse |
To decode and understand,
relative to a grammar. Written and spoken language is parsed in
reading or listening. Visual images can also be spoken of in these
terms. |
| Pattern
recognition |
The process of extracting
information and structure from a signal or image, by reference to
known signals or images. |
| Pel |
A picture element or
pixel. |
| Perception |
Seeing and understanding
objects by human beings. |
| Perpetua |
Serif typeface created
by face, Gill Sans. |
| Persistence:
of a phosphor |
The time it takes for
the light output of a phosphor to decay to 10% of its original brightness
when excited. |
| Persistence:
of vision |
The property of the
visual system that allows a short flash of light or exposure to
an image to be perceived over a longer period of time. |
| Phosphor |
Light-emitting material
such as that on the inner surface of a CRT screen, that creates
an image when selectively stimulated. |
| Photo-offset
printing |
A printing process in
which ink adhering to a photographically processed plate is transferred
to paper via one or more intermediate surfaces (rollers). |
| Photocomposition |
Typesetting method in
which images of letterforms are set by photographically imaging
master versions onto film or photographic paper. |
| Phototypesetting |
See Photocomposition. |
| Pi font |
A font of special symbols
not in the standard character set. |
| Pica |
A unit of typographic
measure, equal to 12 points, or about 1/6 inch. Also, a typewriter
(monospaced) typeface with a pitch of 10 characters to the inch
and a vertical spacing of six lines per inch (hence the name). |
| Pixel |
A picture element, which
is also called a pel. The spot of graphical information displayed
at a single location on a screen or other output device, or on paper. |
| Plasma
display |
Screen-display technology
that uses ionised gas (plasma) to create an image. In some plasma
devices, the light emitted by the plasma is used to stimulate a
phosphor, which then emits visible light. |
| Point |
A unit of measure used
by printers, equal to 1/72 inch. See also Didot point. |
| Point
size |
The height of a font,
expressed in points. |
| Polarity
asymmetry |
The property in an output
device that results in changes in shape when image polarity is reversed. |
| Polygons |
A straight-line representation
sometimes used to express typefaces in outline form. |
| Portrait
orientation |
A vertical-format page
or screen, one higher than it is wide. |
| Postfix |
The sequence of specifying
instructions and data in which the operation follows the data. For
example, adding one and two would be done as 1 2 +. Postfix is also
referred to as reverse Polish notation. In the case of a user interface,
postfix order requires that an object or objects be selected first.
Then the operation to be applied is specified. |
| PostScript |
A page-description language
developed by Adobe Systems, Inc. |
| Power
spectrum |
The graph of the energy
in the component frequencies of a signal. |
| Prefix |
The sequence of specifying
instructions and data in which the operation precedes the data.
For example, adding one and two would be done as + 1 2. Prefix is
also referred to as Polish notation. In the case of a user interface,
prefix order requires that the operation be identified, and then
the operand or operands. |
| Proof |
A working copy of typeset
material printed for the purpose of checking content and format
and of making corrections. |
| Property
sheet |
A form that describes
the formatting characteristics of an object within a WYSIWYG editor/formatter.
The sheet is normally hidden, but may be made visible for inspection
or modification. |
| Proportional
spacing |
Printing in which each
letter or symbol occupies an amount of horizontal space that depends
upon its design. |
Q
| Quad:
printing |
A space equal to the
type size. Also, to fill a large blank space in a line with spacing
material. |
R
| Ragged
right |
Left-justified text
that is flush with the left margin and ragged at the right margin.
Unused space in each line is at its right. |
| Random-access
display |
A display device that
draws the image in any specified order. Calligraphic displays are
random access. Raster devices are not. |
| Raster
device |
A device that produces
an image by scanning it as a series of lines. |
| Readability |
The speed at which continuous
text can be read. Also Legibility. |
| Reading
for comprehension |
Continuous reading,
as of a block of text in a book. |
| Real-time
formatting |
Presentation of an electronic
document in (nearly) printed form while it is being edited. |
| Recto
page |
Right-hand page in an
opening. Has an odd page number. |
| Reference
mark |
A symbol used to refer
the reader to a footnote or other information outside of the immediate
context of the mark. |
| Reflection |
Light impinging upon
a scene that returns back from the scene. Reflections from display
screens reduce image quality by reducing contrast. Light reflected
from paper (but not the ink) increases image contrast. |
| Refresh |
To redisplay information
on a display device. CRT displays, for example, refresh the image
many times per second to achieve the appearance of constancy. |
| Relief
printing |
A printing process in
which a raised surface accepts ink, which is then transferred to
paper by direct contact. |
| Replicating
pixels |
A method of enlarging
an image by mapping each original pixel onto more than one pixel
in the enlarged image. Simple transformations like this result in
poor-quality enlarged images. |
| Resolution |
The fineness
of position and detail produced by an output device or sampled by
an input device. |
| Retina |
The photosensitive
part of the eye, upon which the lens images the scene being viewed.
river. A perceived white rift in a block of type that results from
the alignment of interword spaces from line to line. Proper layout
and typesetting minimise or eliminate rivers. |
| Roman |
The classical style
of type that is upright, as opposed to oblique, is of normal weight
as opposed to light or bold, and has graduated thick and thin strokes
as opposed to being cursive. |
| Rule |
A thin line, either
vertical or horizontal, often used to separate parts of a table
or columns of text. |
| Run-length
encoding |
A datacompression technique
that represents sequences of values by counts of sequential items
of the same value, instead of representing the values individually.
|
| Running
head |
Text such as the title,
chapter, or section headings that is repeated on the tops of pages
of a book. |
| Runoff |
A number of document-formatting
programs of related ancestry that operate in batch mode and use
a highly extensional set of formatting commands. Macros within Runoff
allow more intentional formatting. |
S
| Saccade |
Motion of the eye between
fixations. |
| Sans
serif |
A typeface without serifs.
See our Typeface Classification Guide. |
| Saturation |
The purity of colour,
the degree to which light is pastel versus spectral. |
| Screen
co-ordinates |
Specification of a location
on a screen in terms of the discrete pixels, as two integers (x,y),
as opposed to world or application coordinates, which relate to
a simulated co-ordinate system that may be expressed in real numbers
and may be completely independent of screen position. |
| Scribe |
A batch-mode document
formatter developed by Brian Reid, much more intentional in its
specifications that such formatters as Runoff. |
| Script |
A form of typeface based
on writing, having generally continuous strokes that connect letters.
See our Typeface Classification Guide. |
| Sector
kerning |
One method of automatic
kerning that calculates the interletter spacing based on stored
information about the lateral extent of each letter, assessed in
a number of horizontal bands. |
| Selection |
The user-interface action
of identifying an object or a portion of text for later operations.
|
| Serif |
A small stroke at the
end of the main strokes of letterforms. Typefaces with serifs are
called serif typefaces and those without, sans serif typefaces.See
our Typeface Classification Guide. |
| Set |
The horizontal extent
of a given letter. Also, the average width of the letters in a font,
normally gauged by the width of a lowercase alphabet. |
| SGML |
Standard Generalised
Markup Language, an ISO standard revisable document format. |
| Shoulder |
In letterpress type,
the level of metal upon which the relief letter sits on a piece
of type. The shoulder provides support in letterpress printing for
kerns that project from adjacent pieces. |
| Sidebearings |
The spaces at the left
and right of each letter in a font design that allow for the normal
spacing of the letters. |
| Signature
printing |
Books, magazines, pamphlets,
and the like are | |